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Paton, Sir Joseph Noel

Sir Joseph Noel Paton FRSA, LL. D. (13 December 1821 – 26 December 1901) was a Scottish artist, illustrator and sculptor. He was also a poet and had an interest in, and knowledge of, Scottish folklore and Celtic legends.


He was born in Wooer's Alley, Dunfermline, Fife, on 13 December 1821 to Joseph Neil Paton and Catherine MacDiarmid, damask designers and weavers in the town. He was the brother of the sculptor Amelia Robertson Hill, and the landscape artist Waller Hugh Paton.


The invitation to be an official member of the Brotherhood was turned down by Paton although he painted in the Pre-Raphaelite style and became a painter of historical, fairy, allegorical and religious subjects. Together with Daniel Maclise, Paton was a folklore expert; according to Christopher Wood, an expert in Victorian art,  Maclise and Paton were the only artists working in the genre of fairy paintings with expertise in folklore.[


Paton's knowledge of Celtic legends and Scottish folklore is reflected in his paintings. During his short spell in London, Paton became acquainted with Samuel Carter Hall, editor of The Art Journal, and he commissioned Paton to design some of the illustrations for his 1842 book The Book of British Ballads.


Other commissions to design book illustrations included the 1844 edition of Shelley's lyrical drama Prometheus Unbound, an 1845 publication of Shakespeare's The Tempest and an 1863 version of Coleridge's poem The Rime of the Ancient Mariner.


In 1844 Paton's first painting, Ruth Gleaning, was exhibited at the Royal Scottish Academy. He won a number of prizes for his work including for two of his most famous works The Quarrel of Oberon and Titania and The Reconciliation of Oberon and Titania (1847 – Westminster Hall), both of which are available to public view at the National Gallery of Scotland.  An earlier study of the Quarrel painting was completed in 1846 and featured as Paton's diploma picture at the Royal Scottish Academy that year. The Academy purchased the earlier work for £700.


Made an associate of the Royal Scottish Academy in 1847 and a fellow in 1850. In 1865, he was appointed Queen's Limner for Scotland. He also published two volumes of poetry and produced a number of sculptures. Two years later he received the knighthood and in 1878 was conferred the degree LL. D. by the University of Edinburgh.


In 1860 he was living at 37 Drummond Place in the New Town, Edinburgh.

Paton was a well known antiquary, whose specialty was arms and armour. In 1859 he raised and commanded the 1st Edinburgh (City) Artillery Volunteer Corps, composed mainly of artists with the painter John Faed as his lieutenant.

He died in Edinburgh at his home 33 George Square on 26 December 1901, and is buried in Dean Cemetery (in the obscured lower terrace to the south).


Paton and Arran


Paton's sketches of rocks on Arran would later make their way into paintings such as 'The Bluidie Tryste', and the 'Satan Watching the Sleep of Christ' of 1874, a work also deeply indebted to the Pre-Raphelite movement of which he was associated. 


In 1871 he was joined in Lamlash by Lewis Carroll, author of 'Alice in Wonderland', and together the two explored the Holy Isle beyond. Paton also often painted alongside his brother Hugh Waller Paton. 


References


This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. You can read the wikipedia entry for John Robertson Reid here